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Grand Opening: African Art and Indian Art of the Americas

POSTED BY , ON June 03, 2011, 1 COMMENTS

After four years of extensive planning and construction, the new galleries of African art and Indian art of the Americas are now open in the Art Institute’s lower Morton Wing. Working with the California-based architectural firm wHY (Workshop Hakomori Yantrasast), our curators have created a dynamic space that showcases for the first time the museum’s full range of culturally diverse artworks and artifacts from Africa and the Americas. Colorful wall graphics provide maps and a comparative timeline and original videos by filmmaker Susan Vogel bring these artworks to life by presenting them in their cultural context.

The ritual cache figure featured above comes from the Salado culture, which flourished in the mountains of west-central New Mexico five hundred years ago. The object, discovered wrapped and hidden in a remote cave, formed part of an altar for people to commune with the spirits of the earth. The large wooden male figure personifies the sky, as can be seen in his bold zig-zag turquoise pattern and feather necklace.

When the Yoruba people of West Africa greet a king, they say, “May the crown rest long on your head and may shoes remain long on your feet.” For special occasions, a Yoruba king is dressed from his head to feet in elaborate beaded and cloth garments. These fantastic beaded slippers probably became part of the king’s regalia some time in the 18th or early 19th-century, as European fashion gained prestige in the region.

Simple photographs do not do many of these objects justice. The new space allows for large textiles and other impressive figures to be displayed for the first time. As part of the inaugural installation of the new galleries, a remarkable selection of special loans will be on display throughout the year. Be sure to check out these state-of-the-art installations on your next visit to the Art Institute.

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One Response to “Grand Opening: African Art and Indian Art of the Americas”

  1. Chris Miller says:

    This is the first time the AIC has ever installed audio/video to accompany a permanent exhibition, isn’t it?

    I’m just wondering if this is the wave of the future, or just a one-time experiment.

    It’s got to appeal to children of all ages ( including myself) and it certainly felt thrilling on my first visit, last Sunday.

    But I wonder how well it will age.

    I was also thrilled by the dance-hall music pumped into one of the galleries in the Lautrec show a few years ago — but it got a bit annoying by the third visit, and it’s hardlly the quiet, meditative atmosphere more suitable for contemplation.

    The new galleries of Hindu and Japanese art didn’t get any audio-video.

    Is that because those genres are considered more like art and less like entertainment or education?

    I also wonder how the curators might describe the difference in preparing an exhibition for an art museum as opposed to a museum of natural history.