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Recent Acquisition: Kazimir Malevich

POSTED BY , ON February 01, 2011, 5 COMMENTS

Last week, the Art Institute made one of the most significant acquisitions in its history: Kazimir Malevich’s Painterly Realism of a Football Player–Color Masses in the 4th Dimension. This masterpiece is the first work of Russian Suprematism to enter the museum’s collection and bridges one of the few gaps in the museum’s extremely strong holdings of European modern art, characterized by works like Seurat’s A Sunday on La Grande Jatte–1884 and Henri Matisse’s Bathers by a River. With this acquisition, the Art Institute becomes only the second public institution in the United States to feature a Suprematist painting by Malevich in its collection.

There are many pioneers of abstraction, but Malevich (1879-1935) is one of the most significant and rigorous, doing the most to push art to non-objective abstraction through his Suprematist movement. Having worked previously in a style related to cubism and futurism, it was not until 1915, the year of Painterly Realism of a Football Player, that Malevich brought his abstraction to its fully realized form. Painterly Realism of a Football Player was one of a group of revolutionary works that Malevich created in secrecy for one of the most seminal exhibitions of the modern moment, 0.10 (Zero-Ten): The Last Futurist Exhibition of Painting in Moscow in 1915. For that exhibition, Malevich created paintings that completely eradicated all references to the recognizable world and focused instead on the inherent relationships of geometric shapes of various colors that seem to float against their white backgrounds.

Considered at the time a pure and fundamental embodiment of painting itself (the “zero” in the Zero-Ten exhibition), Painterly Realism of a Football Player offered a radical formal vocabulary for art. Influenced greatly by developments in the understanding of space-time physics and the notion of the fourth dimension, Malevich referenced the natural world in his title (the football player) but also dispelled it on the canvas to present bold lines and planes freed from the weight of the third dimension. Malevich later even gave up the last vestige of the art of representation by disposing with traditional ideas of the “top” and “bottom” in his canvases; historical documentation reveals that in the four instances that the artist showed Painterly Realism of a Football Player during his lifetime, it was shown in two different orientations: with the circle at the bottom (as seen above) and with the circle at the top.

Kazimir Malevich, Painterly Realism of a Football Player–Color Masses in the 4th Dimension (1915). Oil on canvas. ß27-5/8 x 17-5/16 in. (70.2 x 44.1 cm). Through prior gift of Charles H. and Mary F. S. Worcester Collection, Art Institute of Chicago Acquisition Funds, 2011.1.

5 Responses to “Recent Acquisition: Kazimir Malevich”

  1. teresa murphy says:

    Can i ask the approx. price of this acquisition??

    p.s. AI of C is THE BEST!!!

    Thank you!!
    teresa

  2. Dan Dorough says:

    Congratulations! To me, Malevich is the most creative of the Russian revolution artists! His geometric abstractions are simplistic and courageous. An impeccable sense of layout and composition that predicts victory…..
    Thank you!
    Dan

  3. Chris Miller says:

    This is quite an exciting development for those who have been following the story of the Malevich collection at the Stedlijk Museum:

    http://www.artnews.com/issues/article.asp?art_id=1633

    In the final legal settlement, 5 of the Stedlijk’s 84 pieces have been sold on behalf of the Malevich heirs, and happily enough one of them has come to Chicago:

    http://www.stedelijkmuseum.nl/oc2/page.asp?PageID=1831

    How much did we pay for it?

    The A.I.C. is more tight-lipped about their affairs than other Midwestern museums (like the one in Indianapolis), but Sotheby’s recently sold another one of the five for 65 million dollars:

    http://www.sothebys.com/app/live/lot/LotDetail.jsp?lot_id=159505088

    But most importantly, what does it look like?

    You need to go to Gallery 393 yourself, but I saw it yesterday, and was somewhat disappointed.

    Usually things look much better in person than they do in reproduction, but Malevich does not seem to have been concerned with how this painting looked close up.

    He seems to have been more of a thinker and designer than a crafsman.

    But the piece sure looks great on the internet.

    And it does feel like a “football player” in action — whether standing on his legs or his head

  4. Katie R. says:

    Thanks to all for your interest!

    Teresa and Chris, it is Art Institute policy not to comment on the purchase price of acquisitions.

    Best Regards,
    Katie

  5. Chris Miller says:

    Here’s a story from the Wall Stree Journal (February 9) that relates to this purchase:

    “How many paintings does an American museum have to sell to raise funds for a single canvas by Russian modern painter Kazimir Malevich?”

    http://online.wsj.com/article/SB10001424052748704858404576134480865232342.html?mod=rss_europe_whats_news

    You can go to the Christie’s website to see and read about the Braque, Matisse, and 2 Picassos that were put to auction in Sale #7951.

    I remember seeing the early Picasso for many years on display in the museum, and the Braque still life was one of my favorites:

    http://www.christies.com/LotFinder/lot_details.aspx?from=salesummary&pos=5&intObjectID=5407003&sid=3aaa4d01-5ff8-4dea-812d-fde440152ef8